vampire

Prince Lestat: A Review (Spoiler Free)

Prince Lestat: The Vampire Chronicles

By Anne Rice

Release Date: October 28, 2014

Review by Sarabeth Pollock

Review Date:  November 1, 2014

 

The Vampire Lestat is back.

After eleven years, Anne Rice has returned to The Vampire Chronicles in a purely brilliant tour de force that’s sure to delight fans young and old.  Rice is a master at creating vibrant mythologies.  From her vampires to her witches and everything in between, she cultivates worlds that are rich with history and character.  It’s clear that everything in the book has been meticulously researched, and every detail cross referenced for accuracy.  Prince Lestat is no exception; this is an epic story that spans 8,000 years and brings together the familiar faces fans know and love as well as exciting newcomers who make a welcome addition to the mythos.

The story begins with a mysterious Voice that has been causing a stir among the world’s vampire population, speaking to the elders and telling them to exterminate the hordes of fledglings that have amassed over the years.  There’s a bit of an overpopulation problem facing the vampire world since The Burning that took place during Akasha’s reign of terror in Queen of the Damned.  Now, scores of vampires are dying around the world and there’s no telling who will be next.  That leaves the million dollar question: Who is behind this Voice and what does it want?

Lestat returns as our fearless narrator.  Lestat is as puzzled by the Voice as everyone else, and he’s determined (albeit reluctantly) to get to the bottom of it.  He weaves through time like a warm knife cuts through butter.  We move from present day to the time just after the events of The Tale of the Body Thief, and all parts in between.  Along the way we meet up with old friends who are equally concerned about this Voice and its motivations, and this quest for answers unearths many shocking truths that will impact the vampire world for years to come.

It’s not difficult to understand Lestat’s magnetism and how it has continued to grow over the years.  Lestat, as an archetype, is appealing to many people in the same way that Tom Hiddleston’s Loki appealed to so many in Thor and The Avengers.  They’re dark heroes, anti-heroes, and their charismatic personalities make them irresistible, even when they’re at their most exasperating.  Lestat has been on a quest for redemption for a long while, dating back to well-before 2003’s Blood CanticlePrince Lestat takes Lestat full circle on his quest, though he never stops being the Brat Prince his fans know and love.

Anne Rice books are like beautiful symphonies, and Prince Lestat is no different: It starts out slowly, allowing the drama and anticipation to build, until the story reaches a feverish crescendo.  The only issue I had with Prince Lestat is that it wasn’t long enough!  At 460 pages, the story felt a bit rushed toward the end, but this might be due to the numerous characters that show up to move the story along.  The book could have been a thousand pages and still felt rushed.  I wanted to hear more from the other characters to learn about where they have been over the years, but hopefully this will happen with future novels.  The world of Anne Rice’s vampires is ripe with possibility.

In an age where authors are granted movie rights before their novels hit bookstores, it’s refreshing that in spite of the eleven year gap since the last installment of The Vampire Chronicles, Lestat and his companions are back in even finer form, sporting their “flashing” silk ties, fine lace and velvet frock coats.  These details make Anne Rice novels what they are: modern literature at its finest.  I’m keenly aware that I’m reading an author whose writing will be considered a classic for generations to come.  Prince Lestat is a delightful read and will satisfy die-hard fans of The Vampire Chronicles and entice new blood to the fold.

 

Prince Lestat Entry 5: Home Stretch (Spoiler Free)

I have about 75 pages left of Prince Lestat  I’m deliberately pacing myself.  I am forcing myself not to peek and see which chapter is next.  I want to know what happens but I don’t want to reach the end of the book.

It’s quite the dilemma.

Like every Anne Rice book, Prince Lestat moves along like a fine piece of classical music, weaving in and out until the crescendo builds and the song-in this case, the story-comes to an end. The process can take a while.  The mythology must be built.  But I can sense that the end is in sight and it’s both satisfying and saddening.

Lestat is in fine form. Rest assured of that. I am thoroughly enjoying seeing friends from previous books popping up. Prince Lestat could be a thousand pages and I don’t think it would feel long enough.

But the end is in sight.  My next post will most likely be my review (still spoiler free, of course).

Prince Lestat: Entry 4 (Spoiler Free)

I’m almost to page 300 in Prince Lestat. I could have easily finished the entire book yesterday when it was released, but I’m savoring every bit of it.

This evening I met with one of my students who told me about a project she has for her English class.  It’s a mythology project where she must study a culture and their myths.  This got me thinking.

So much of Anne Rice’s writing revolves around myths. I don’t speak of vampire mythology or lore, because she created her own world.  I speak of the mythology created every time one of the characters shares his or her story.  The history is so rich.

When people critique her work, it is often because they find Anne Rice books to be too long, too flowery, too dense. What they don’t realize, and certain can’t appreciate, is that she is creating a mythology of her own.  She isn’t creating some transient backdrop so she can insert her characters. She not only gives life to her characters, but the settings themselves become characters. Take New Orleans, for example.  The city is now synonymous with Anne Rice.  The flat on the Rue Royal is as famous as Lestat and Louis.  Anne Rice creates new worlds in her writing.

I’m happy to report, given this digression on mythology, that I am winding through Prince Lestat and stopping to appreciate the mythology along the way. Prince Lestat is a gem when it comes to mythology.

Prince Lestat: Halfway Point (Entry 3. Still Spoiler Free)

I read Chapter 12 of Prince Lestat this morning.  I saw the words “flashing silk tie” and smiled at once because these are the descriptions I have come to know and love in every Anne Rice book I have ever read.

I became a history major largely due to her writing.  To me, the vampires were secondary.  I was never a Goth. I liked the characters because I loved their rich stories. I love the idea of having a conversation with someone who witnessed the fall of Rome and who painted in Venice.  I fell in love with the city of New Orleans and was thrilled when, in 2011, I was able to travel there for a week and stay in the Vieux Carre (French Quarter…yes…I even learned French after studying Spanish, partly due to The Vampire Chronicles).  The idea of being around creatures who are literally living history books makes my fingers twitch because I love history and I’d be the equivalent of David going from vampire to vampire asking them to share their stories. (My fingers always twitch in those situations…it’s a reflection of my continual desire to read and write “stuff”. I’m a total nerd that way…)

So now I’m at the halfway point and I’m rearing to go.  I’m racing to the finish because I honestly don’t want to put the book down.  Prince Lestat has been worth the wait.  It’s everything I hoped it would be. (So far…you never know what can happen in 200 pages…)

Prince Lestat: The First Day (Entry 2; Spoiler Free)

At the end of Day One reading Prince Lestat, the newest installment of The Vampire Chronicles by Anne Rice, I am on page 207, chapter 12.

I wish I didn’t have to sleep. I want to keep reading…but I don’t want it to end too quickly.  This is the best book in the series.  Seeing old friends, and meeting new ones, is pure joy. I have the education (I majored in history, largely due to Anne Rice’s characters who are pulled out of time) and the maturity to understand the themes and grasp the symbolism that might have previously escaped me. Memnoch the Devil came out when I was 15. It was the first new book in The Vampire Chronicles to come out since I’d discovered the series.  I was still caught up in the world of The Tale of the Body Thief and I didn’t understand a lot of the religious and existential happenings until I attended a private Catholic university years later.  This book is very different from the others (so far). It’s a wonderful departure that is true to the mythologies Ms. Rice has created.

Anne Rice’s writing is incomparable.  Prince Lestat serves as a reminder of quality and not quantity.  Each book has been meticulously researched, every detail cross referenced.  She isn’t turning out books yearly, and the quality of this book demonstrates that.

I am almost halfway through Prince Lestat. I really don’t want it to end.  But I promise to keep posting during this journey, and please share your thoughts with me about the book.  I’m eager to hear what others have to say.  I will post my own review here when I’m done.

Prince Lestat: Cracking the Spine (Entry 1)

At long last, Anne Rice’s newest installment of The Vampire Chronicles has arrived.  Prince Lestat hit stores today.  I was at Barnes and Noble at 10am sharp and I had my copy in hand at 10:02.

The last time a book in The Vampire Chronicles was released was back in 2003.  I was 23 years old, and my life was very different than it is now.When I consider that I first read Interview with a Vampire when I was 14 (in 1994), it makes me see how much has happened in the past 20 years.  I grew up with Anne Rice books, though most of the symbolism came to me years after reading the books.  I’m glad to be reading with the perpective of time under my belt.

It’s fitting, then, that we celebrate the release of Prince Lestat.

Reading an Anne Rice book is to take a journey with old friends.  I’ve read critiques of her books from new readers who have turned to The Vampire Chronicles as the vampire rage has hit new peaks. Some of these critiques complain about the verbose nature of the books.  I told the lady at the bookstore today that reading Anne Rice is like having a thick smoothie when you’re used to drinking water.  This is due, in part, to the details that Anne Rice is famous for.  They’re never just curtains; they’re velvet curtains.  Armand never wears lace; it’s Versailles lace.  You have to understand that this is why it’s great literature.

So my plan is to post blog entries about the experience of reading Prince Lestat as I go through it.  I will never post spoilers.  My full review will follow as soon as I’m done with the book, and you’ll be able to read it here and at http://www.darkmediaonline.com.

Are you about to take this journey into Prince Lestat with me?  Please leave your comments below!

First Encounters With Anne Rice’s Vampire Chronicles

Now that Universal has acquired the film rights to The Vampire Chronicles (see my earlier post for a link to more information), my excitement is growing with each new announcement.

A few days ago, Anne Rice asked fans on Facebook and Twitter when they first encountered Lestat.  It started me thinking.

I’ve talked about my history with The Vampire Chronicles. I saw Interview with the Vampire in the theater 20 years ago when I was 14, then a few weeks later I stumbled across a copy of the book.  I was hooked.  The film and the book are nothing alike.  While there are subtle similarities, there really is no comparison. 

But I certainly didn’t understand the complexities of the books or her writing until later on.  As every new book came out, I went back and read the earlier books to recall fine details, and with every reading came new observations.  And I also noticed that themes struck me in different ways at different points in my life.

I have read comments from other fans and I know I’m not alone in this.  But it is interesting to note.

The next step is to start imagining how Bob Orci (of the Star Trek reboot fame) will handle the books.  He is a fan (perhaps more so than Neil Jordan) and so his treatment promises to yield a very sympathetic take on the books that are beloved by so many.

So how did you first meet the Vampire Lestat and the world of Anne Rice? Feel free to share your experience in the comments below!

Anne Rice’s The Vampire Chronicles Acquired by Universal

This is very exciting news indeed. In this Aug. 16th article from The Examiner, Christopher Rice talks about the screenplay he wrote for Anne Rice’s The Tale of the Body Thief.  Universal has acquired the film rights and Bob Orci (Star Trek) has been linked to the projects.

This news is manna from Heaven for Anne Rice fans who have waited for something to happen with the books after several stalled attempts after the 1994 film Interview with the Vampire, directed by Neil Jordan and starring Tom Cruise and Brad Pitt.  It also helps to create more buzz in advance of Ms. Rice’s newest book, Prince Lestat, featuring the Brat Prince himself.

Here is a link to the article:
http://www.examiner.com/article/christopher-rice-on-the-vines-the-vampire-chronicles-and-universal

Retro True Blood Recap: S5E1 Turn Turn Turn

True Blood Season 5, Episode 1: Turn! Turn! Turn!

Airdate:  June 10, 2012

Recap by: Sarabeth Pollock

 

The weather is getting warmer, the nights are getting shorter, and that can only mean one thing: It’s time to laissez les bons temps rouler in Bon Temps, Louisiana, with the return of HBO’s True Blood.  If you’re like me, you’ve finally picked your jaw up after the ultimate WTF!? moment in the Season 4 finale.  Tara was lying in Sookie’s arms with half of her head on the floor.  Bill and Eric sent Nan Flanagan to the True Death.  Pam was licking her wounds after Eric chastised her.  Sam and Alcide killed werewolf pack master Marcus (who was also Sam’s girlfriend Luna’s ex-husband).  Jason and Jessica were trying to figure out what to do after their hookup, and Jason was also trying to mend his friendship with Hoyt.  Lafayette killed his lover, Jesus, after being possessed by Marnie.  Terry and Arlene’s son, Mikey, is back to normal now that the ghost who had been haunting him is gone, but now one of Terry’s Gulf War buddies shows up at Merlotte’s with unknown intentions.  Sheriff Andy Bellefleur had sex with a woman in the woods who had a glowing finger.  Steve Newlin, the former leader of the Fellowship of the Sun, shows up on Jason’s doorstep.  He’s a vampire now.  Oh, and it looks as though Season 3 villain Russell Edgington has freed himself from his concrete grave.  Yep, Bon Temps is about to roll.

Season 5 begins at King Bill’s mansion.  He’s on the phone with Jessica, telling her that he is going out of town and that she has the run of the house while he’s gone.  Eric is flying around in the background trying to clean up Nan’s remains.  It’s hard to picture the two former adversaries working together, but it’s rather endearing seeing them work in unison to clean up the house.   We flash to a scene of Sookie pulling up at her house.  She goes inside and Debbie Pelt is waiting for her.  Then we return to Bill’s house.  Bill senses Sookie’s fear and moves to assist her.  Eric stops him, reminding him that not only did Sookie refuse him, but the AVL is going to be after them and they need to leave as soon as possible.  Debbie shoots Tara and Sookie screams.  Bill speeds out the door and into the arms of the waiting AVL troops.  Eric is trapped in a silver net.  Looks like Bill and Eric won’t be rushing to Sookie’s aid. 

So much for that theory.

Lafayette hurries into Sookie’s kitchen and takes in the scene.  Before anyone can react, Pam flies in and demands to see Eric.  It’s his house, after all.  She wants Sookie to tell Eric she’s sorry for disobeying him and she wants to mend their relationship.  Lafayette asks Pam to turn Tara into a vampire.  At first Sookie resists this idea, given how much Tara has suffered at the hands of vampires, but she quickly realizes that having Tara alive—in any state—would be better than losing her.  She tells Pam she will owe her one.  Pam is intrigued by this idea of having Sookie owe her a favor, but she warns them that turning Tara might not work and she could wake up and be “f**ktarded.” (classic Pam-inology)  She agrees to turn Tara provided that Sookie agrees to help mend her relationship with Eric, in addition to owing her a favor.  Sookie agrees.

Over at Jason’s house, Steve Newlin is on Jason’s porch and he’s a vampire.  Jason refuses to let Steve in, citing his exposed fangs, which can only mean a vampire hard-on or a hungry vampire, neither of which would end up well for him.  Steve assures Jason that he cannot glamour him because his maker didn’t teach him anything.  He says he was turned as a punishment and he didn’t even know his maker.  He woke up in a hole with a woman, and then she vanished.  Just as Jason starts to feel sorry for him, Steve glamours him and gains entrance to Jason’s house.

Sam is confronted by a pack of werewolves who want to know where Marcus is.  Sam shifts into a bird and escapes them, but he knows they’ll be after him.

Sookie and Lafayette dig a hole in Sookie’s backyard.  While they grumble about doing all the digging, Pam grumbles about her yellow attire: “I’m wearing a Wal-Mart sweat suit, y’all.  That’s the definition of team work.”  She tells Sookie and Lafayette to bury her with Tara, and they do so, both of them hoping that it all works out.  Clearly this is a matter of the lesser of two evils.  Is it better that they let Tara die, or is it better that they find a way for her to live, even though she will be something that she despises?

Luna and her daughter Emma come home to find a naked Sam on their porch.  Emma gets major props in my book for being so nonchalant about finding her mom’s boyfriend standing naked on her front porch.  Must be a shifter thing.  (Totally random aside: in the latest issue of Entertainment Weekly, Kristin Bauer van Straten talks about Alexander Skarsgard’s sex scene in Season 3.  She and Anna Paquin did “about a hundred takes” and after a while Skarsgard was just walking around naked, which is not a big deal to the Swedes.  To help with the awkwardness, she and Paquin started referring to his member as IKEA…”because he’s Swedish.”  End aside.)  Sam warns Luna that the pack will be coming after them both, and they need to leave at once.  Sam refuses to betray Alcide, who saved them all by killing Marcus.  The pack enforcers arrive at Luna’s house, and though Luna insists that Sam didn’t kill Marcus, Sam gives himself up, imploring Luna to tell Emma that he said goodbye.

Back at Jason’s, Steve puts duct tape across Jason’s mouth and tells him that all he will remember is that he invited Steve inside and agreed to allow Steve to tape his mouth.  Jason nods willingly, and when the glamour is removed Steve admits to Jason that it didn’t bother him that Jason slept with his wife, Sarah.  It was more painful to him that Sarah was the one sleeping with Jason.  All of Steve’s confused feelings led him to the violence that Jason experienced at the Fellowship of the Sun camp.  That’s right.  “I’m a gay vampire American,” Steve says, “and I love you, Jason Stackhouse.”  It’s a classic Jason scene.  I love how Ryan Kwanten plays Jason—Jason would be more upset that his Bon Temps High School football record is about to fall rather than be concerned that Steve Newlin is attracted to him.  He tells Steve that he’s flattered and that it was the “nicest I love you from any male, female, or otherwise…but this dog don’t bark that way.”  Crushed by Jason’s rejection, Steve tries to force Jason to change his mind when Jessica bursts in.  Jason is hers, she says, and given that she’s older than Steve and she’s also the progeny of the King of Louisiana (she’s practically the Queen!), Steve must cede to her authority.  He leaves, and Jessica flashes her red lingerie at the befuddled Jason, who is still reeling from all of the excitement.

Bill and Eric’s AVL enforcers drive into the night, Paul McCartney’s “Silly Love Songs” blaring on the radio.  Bill and Eric are tied up in the back, but Bill figures that they might just be called in for questioning, an idea that Eric quickly rejects.  Together they manage to puncture the gas tank and set the car on fire.  As they are thrown from the explosion, Bill is injured and tells Eric to go on without him.  Eric won’t leave him, though.  Again, I’m loving the camaraderie between them.  Before they can get away, the driver pops up from the wreckage and moves to shoot them, and then he suddenly explodes.  The female vampire from the car is standing there.  In an instant, Eric has her in a passionate embrace.  Her name is Nora, as it turns out.  Bill asks if she is Eric’s friend.  Eric casually replies that Nora is his sister.

Back in Bon Temps, Sookie and Lafayette work to hide the evidence of Debbie’s death.  Lafayette tells Sookie that she could just call the police and claim self-defense, given that Debbie was in her house pointing a gun at her.  Besides that, Sookie is a white girl so the police won’t even question her.  But Sookie tells Lafayette that it wasn’t self-defense; she had possession of the gun and she made a decision to pull the trigger.  How can that be self-defense?

At the dock, Nora explains that she is a chancellor with the AVL and that no one there knows that she is related to Eric.  There are factions within the AVL that threaten to tear everything apart.  She had arranged for their car to be attacked down the road, but the “stunt men” took things into their own hands and now there was no escape vehicle for them.  She gets on the phone to call the AVL in New Orleans to say that there was a delay, that they were going to ground because the clean-up took a little longer than expected.  She tells Bill and Eric that they cannot return to their previous lives or it will mean death to all of them.

The following day, Sookie and Lafayette return to Lafayette’s house to bury Jesus, but his body is gone.  Lafayette tells Sookie that “people need to be said goodbye to” and he starts to talk to Jesus, hoping that he could hear him.  He says that Jesus told him to keep going, but how could he manage to keep going with everything that kept happening?

In one of the lighter moments of the night, two boys walk into Holly’s house to find the good Sheriff, Andy Bellefleur, in bed.  And he’s very naked.  Holly wakes up and tries to console the boys, who are less than pleased to find their mother doing the deed with the sheriff on the couch they sleep on.  Andy hurries from the house (once he finds his pants).

Terry’s Iraqi war buddy, Patrick, is bombarded with questions about Terry’s past over breakfast.  Arlene’s daughter wants to know if Terry “was a badass.”  Terry becomes agitated with talk of the past and insists that all that matters now are his half-cooked pancakes, so Arlene talks about how they’re staying in Andy’s house until they can get back on their feet after the fire put them out of their own house.  The mention of fire catches Patrick’s attention, and he cautions that fires are not to be taken lightly, all the while glaring suggestively at Terry.

Sookie takes a shower and has a flashback of being ridiculed in middle school.  Her classmates don’t want to pick her for their teams and she tells one of the bullies that she knows he plays with himself while he watches his sister take a shower.  Horrified, the bully calls Sookie a freak and the taunting continues until Tara shows up and punches him.  Sookie stares out the window at the freshly dug mound of dirt in her backyard as she reflects on how Tara was always there to defend her.  Once she finishes her shower, Lafayette takes a bath.  As he relaxes, he spies a razor.

Alcide shows up on Sookie’s porch.  Sookie offers to get him some lemonade while he waits in the living room, but as she goes to the refrigerator she spies a tooth on the floor and covers it with her foot as Alcide walks in.  She nervously tells him that she’s embarrassed at how dirty her kitchen is, which makes him laugh.  He says she has an incredibly clean kitchen that smells like lemons covering up ammonia covering up bleach.  Without preamble he tells Sookie that she has to leave, that Russell Edgington has escaped from his concrete tomb.  Sookie insists that Russell is dead, and Alcide realizes that Eric and Bill never told her that they never actually killed him.  Russell will be gunning for Sookie, Alcide says, and only he can protect her.  Alcide doesn’t know that Sookie killed Debbie Pelt, and she tries to tell him that he won’t want to help her when he finds out what she did.  But before she can tell him, Lafayette stops her.  Alcide growls at Lafayette, but Lafayette holds his ground and tells Alcide that they’re done with all of the supernatural BS.  Alcide begrudgingly leaves, and Lafayette remarks that the sun will be going down soon.

Sam’s cries can be heard outside the barn where he is being tortured.  A middle-aged werewolf named Martha tells Sam that the pack needs to know where Marcus’s body is so that they can perform pack rituals.  This is incredibly important for them.  Sam doesn’t care about his own well-being…but Martha doesn’t threaten him with his own life.  She threatens him with Luna and Emma’s lives.

Once the sun goes down, Bill waits for Eric to finish having sex with Nora inside the storage container.  They need to be quieter, he tells them, because New Orleans is only sixty miles away.  Eric’s phone interrupts them, and he tells an angry Nora that his phone is untraceable.  “We fight like siblings, but we f*** like champions.”  His good mood disappears when he answers the phone and hears what Alcide tells him.  We can only imagine that Alcide is telling him about Russell’s reemergence.

The King of Louisiana’s house has been converted into a frat party.  The college kids tell Jessica that she should consider attending their school, which has admission for vampires and special night classes just for them.  (Could this be a subtle dig at the Twilight vamps?)  Jessica thinks this is very funny.  Why on earth would she want to go to school, she laughs.  She’s a vampire.  One of the guys flirts with Jessica, but the doorbell rings.  It’s Jason, and he’s confused about their relationship.  She saved him from Steve Newlin, and now she doesn’t want him anymore.  Hoyt doesn’t want anything to do with him because Jason stole the only woman he ever loved away from him.  Jessica tells Jason she was only trying to protect him and that she didn’t invite him to her party because some of the people were underage.  Jason goes inside and offers to take his uniform off since he’s off duty and ready to party.  He and Jessica sing along to “Cherry Bomb” on Rock Band, and much to Jason’s dismay Flirty Guy slips in and finishes the song with her.  One of the girls offers to go home with Jason, but Jason’s conscience is clearly getting the best of him.  He doesn’t want to have sex with her, he says, and that’s what they would end up doing if they kept going.  He ends up taking her home instead.

Martha and the pack take Sam to where Marcus is buried.  Martha, it turns out, is Marcus’s mother.  She tells Sam he did the right thing.  Luna and Alcide show up, and Alcide says that Marcus deserved what he got.  Martha is angered by this, but the ritual must be completed.  She shifts, and she starts to tear apart Marcus’s body along with one of the male werewolves.

Bill, Eric and Nora are on the dock.  Nora tells them that they will be given new identities to help with their “extraction.”  Bill will become Marcellus Clark, and Eric will become Ike Applebaum…but before they go anywhere, the vampires gathered on the dock are shot down and a voice on a loudspeaker tells the trio that they are surrounded and there’s nowhere to go.

The sun has set at Sookie’s house and she and Lafayette have gathered in the backyard.  Pam rises first and complains, in typical Pam fashion, that she has dirt in her bra.  The yellow track suit has done nothing to brighten her personality.  Soon Sookie starts to dig.  She reaches Tara’s face and starts to cry.  Lafayette approaches.  Sookie shakes her head.  As reality sinks in, the dirt around them explodes.  In the chaos, Sookie screams for Lafayette. 

And the screen goes dark.

There aren’t many programs on television that can pack so much action into one episode.  This season looks amazing and it can only get better from here.  And then there’s the matter of the body that was dragged into the dark underground room.  All we see is blood splattering against the window.  Could that be Russell having dinner?  Is it bad that I’m really excited to have Russell back?

What did you think, fellow Truebies?  Did the season premiere live up to your expectations?  Were your predictions valid?  What do you think is coming our way?  Post comments below or send me your thoughts on Twitter!  Until next week….

True Blood Recap S7E2: I Found You

(Spoliers for “I Found You” below)

True Blood Season 7, Episode 2: I Found You

Airdate:  June 29, 2014

Summary by: Sarabeth Pollock

 

It’s nighttime in…somewhere.  Suddenly Jason comes upon Eric.  Is this real, or is this a dream?  Jason has questions, Eric might have answers.  Eric mixes a drink and offers it to Jason, and then Eric asks about Violet.  Jason can’t get Eric out of his head.  Jason figures Eric has heard that line a lot, but Eric replies that he’s only ever heard it twice.  Then they get naked.  Um, what?  And then Jason kisses Eric.  Ok, this is definitely a dream.  Right?  More kissing.  Nakedness.  A fire in the fireplace.  More kissing.  Heavy breathing. 

And then Jason wakes up in church.  He’s breathing heavily.

Yeah.   So begins Episode 2.

Jason walks outside to find his sister with Alcide.  The town is having a meeting and Andy and Sam are trying to figure how to find the missing people of Bon Temps.  Sookie suggests identifying the body she found in the woods.  Perhaps the strange vampires brought her with them, and they can track them.  Reverend Daniels asks Sam what the people should do with themselves during the day.  Sam tells everyone to keep going, that Arlene would want them to keep things running.  Andy wants to take Adilyn home, but she suggests that she stay with Wade because he’s family.  Lettie May wants to go visit Lafayette.

In Shreveport there’s a fight brewing with the vampires.  One vamp decided to eat one of the hostages, which drains their reserves.  There’s an argument about not having enough food and taking too much.  That means there needs to be another hunting party.  They choose a vampire teacher to do the dirty work.  The teacher, Betty, goes down to grab another victim.  She sees Arlene and chooses another victim.  Arlene asks Holly if her kids had her as a teacher.  She might be their way out.  Arlene attempts to raise spirits by giving a rousing speech. She’s been through too much to “die in a fucking vampire bar.”

Andy, Jason, Sookie, Sam and Alcide find the dead woman in the woods. She’s from two towns over.  Sookie quotes a gravestone that talks about the indifference of life.  Now the gang needs to take a road trip.

Lafayette finds Lettie May at his door.  They are both holding up all right, but Lettie May reveals that she made peace with Tara the night before.  She tells Lafayette that she wants more.  She wants to hold her, and she says that Tara needs help before she can head up to heaven.  She needs some V so that she can communicate with Tara.  Lala tries to convince his aunt that this isn’t what Tara wants. “You’re going to hell!” she shouts.  “That’s what this is,” he replies.

There’s a cleaning crew at Bellefleur’s.  Adilyn tries to console Wade.  Vince strolls in and mocks the people who are following Sam’s orders.  The fact that all of the town’s law enforcement is gone doesn’t leave protection for the town.  Hoyt’s mother finds dead people in the freezer.  Vince tells everyone that the vamps are going to come back.  He tells the story of what he saw the night before, that Sam is a shifter.  Mrs. Fontenberry reveals that she saw Sam transform and had previously blamed the Nyquil. Vince rallies the townspeople into protecting themselves.  Adilyn hears a woman who knows where some extra weapons are stashed.  She grabs Wade and tells him they have to leave.

Arlene and Holly tell Betty that they know who she is.  Betty thinks that they want her to let them go, but they convince her that she was the best teacher their kids ever had.  Betty’s afraid.  She goes to Arlene for a hug.  You can see the effects of Hep-V taking their hold on her.  Arlene tries once more.  Betty’s legacy is at stake, no pun intended.  She can make a choice to help them.  Betty promises to figure out a plan to let them go.  As she leaves, she takes one of the men back upstairs.

As Andy drives through the next town, the group is shocked to discover that the whole town is empty.  The streets are empty.  It’s a ghost town.  Buildings are boarded up. Messages are scrawled on churches and stores.  “FEMA, HELP US” is written on a street in a nod to the Katrina disaster.  Sookie comes across a pit that’s filled with bodies.  Everyone is left.

Adilyn tries to tell Rosie that the Bellefleur mob is going to come to the police station and grab the guns stored there.  Kenya leads them inside and they grab the guns just as the mob arrives at the station.  Vince demands the guns as part of his second amendment right to pretend himself.  The mob starts making Kenya doubt her role with Andy, reminding her that she was passed up for a promotion because she’s a woman of color.  Kenya decides to arrest Adilyn, who blasts her with her Faery powers.  That wakes up Jessica, who is sleeping under Andy’s house.  Wade tries to reason with his brother Rocky, but you can’t reason with a mob.  Jessica tries calling Sookie, but Sookie threw her phone away.  Back at the jail, the mob wastes ammunition with target practice.

Andy and the gang goes into a house where the dead woman once lived.  Jason tastes the pizza on the table and decides that the residents were last in the house two days prior.  The vamps must be raiding each town until it’s entirely cleaned out.  Andy sees a wedding picture and vows to make an honest woman of Holly when he finds her.  “A man ain’t nothing without a family,” he tells Jason.  Sookie wanders into the child’s bedroom and goes through a diary on the desk. Alcide walks in and tells Sookie that it would be ok to read her journal.  Sookie reads that the girl fell in love with a vampire named Henry, who takes her to Fangtasia.  She flashes back to the first time Bill took her to Fangtasia.  She recalls how excited she was going home and getting ready for her trip, a trip that wasn’t a date. “Like I said, I can’t fight it.  I am his, totally and completely,” she reads.  Then she finishes with an entry about an attack on a church.  Henry is infected with Hep V as well.  Sam finds a baby toy in the crib and becomes emotional.  Andy sees blood on the walls.   Mary Beth, the missing girl, writes that she hopes the vamps will spare a child.

Lettie May burns her wrist while she’s cooking.  She decides to burn her hand intentionally so she can call upon Willa for help.  But Willa has never been awakened in the middle of the day.  Willa says Lettie May should go to the doctor, that the Reverend said not to give Lettie May any more blood.  Willa relents when Lettie May begs, and Lettie May has another reaction.  She looks around the cellar and sees a cross in a forest.  Someone is calling to her.  She sees Tara on the cross with a yellow snake on her.  Tara is talking but Lettie May can’t hear her.  “I need the answer,” Lettie May cries.  Willa watches helplessly as Lettie May talks to someone in her vision.

Alcide tells Sookie that she and Mary Beth are nothing alike.  The vampires came out all over the world.  She fell in love with Bill hard and fast.  Sookie appreciates the sentiment, but she’s afraid that Bon Temps will end up like St. Elise.  Alcide knows they could flee right now, but that’s not the right decision.

Betty volunteers to be the sleep monitor.  She tells everyone that she’s the weakest link anyway and they’re waiting for her to die.  She sets the timer for them and then goes down to the basement.  She tells the women that they have twelve minutes to escape, but she needs blood.  Arlene offers her blood, but Betty has to drink from the femoral artery in case they get caught.  That way there are no bite marks.  As she feeds, the Hep V starts to take its toll, and she melts into a pile of goo right in Arlene’s lap.

Jessica’s bite wounds won’t heal, and as she tries to cover them up, Andy gets home.  He’s looking for Adilyn.  Jessica panics, but she knows she has to talk to him.  She tells him she’s in the attic.  She stays with her hands up.  She convinces Andy that she didn’t harm Adilyn, and she vows to find her as soon as the sun goes down.

Sookie and Alcide go home and she tells him to shower before hitting the bed.  She kisses him, and then when he’s in the shower she hurries over to Bill’s house.  When he answers the door, he seems pleased.  She gets right to business.  She wants to know if he can still sense her fear.  “If I get myself into some serious shit, can you still feel me?”

Rhone Valley, France.  Pam is on the hunt for Eric.  She goes down to the basement, where girls cry out that he won’t take their blood.  “You found me,” Eric says.  He’s in a chair, his hair is brown, and he looks years younger, somehow.  Pam stares in disbelief.

Well, folks.  It looks like Eric is back.

This episode moved really fast.  You can tell the writers are trying to tie up as many loose ends as possible, which makes the hour go by incredibly quickly.

So there’s a mob roaming the streets of Bon Temps, Adilyn is in danger, there are more questions than answers and we only have 8 episodes left.  Oh, Jason had an incredibly sex dream about Eric.  What do you think will happen next?