passionflix

Lick optioned by Passionflix

PassionFlix has optioned Kylie Scott’s Lick

Lick, the insatiable first book in the Stage Dive Series by Aussie author Kylie Scott, has been optioned by PassionFlix. Yes, that’s right, Evelyn and David’s wild love story is coming to life and it’s going to be a lot of fun. 

If you’re not familiar with Lick, here’s the synopsis and a link to buy it:

Waking up in Vegas was never meant to be like this.

Evelyn Thomas’s plans for celebrating her twenty-first birthday in Las Vegas were big. Huge. But she sure never meant to wake up on the bathroom floor with a hangover to rival the black plague, a very attractive half-naked tattooed man in her room, and a diamond on her finger large enough to scare King Kong. Now if she could just remember how it all happened.

One thing is certain, being married to one of the hottest rock stars on the planet is sure to be a wild ride.

Lick, by Kylie Scott

Let’s see…Vegas, Vegas wedding, super hot rock star looking for a change of pace, a woman who isn’t afraid of keeping him on his toes… Yes. Please and thank you. 

Kylie Scott is the bestselling author of many popular series, including the Stage Dive Series, the Dive Bar series and several standalone titles. Her work has also appeared in the 1001 Dark Nights anthologies. You can follow her on Twitter and Instagram, and a link to all of her books available to purchase can be found by following this link

Naturally, as soon as I heard the news I bought Lick and I’m so excited to read it. That’s what I do whenever PassionFlix options a new book, and so far I’m in love with every story that has been selected.

As a fan I can’t wait to see all of these wonderful stories come to life, but I also want to highlight how wonderful it is to think that as soon as this announcement comes out there will be so many other people discovering this series for the first time. Being able to support these wonderful authors, while also supporting PassionFlix, is a win-win for lovers of love stories. (It’s yet another reason why I love PassionFlix and the community they have created!)

Now comes the fun part: Dream casts! Who do you see playing the roles of Evelyn and David in Lick, and who will make up the members of the band? Let’s talk dream casts, folks! Be sure to leave your ideas in the comments or send them to me on social media – I want to hear them all!!

NYT article about romance fails to mention Passionflix

By now you’ve probably heard about the newest Netflix must-watch series Bridgerton, a Regency love story by Julia Quinn. I haven’t seen the show yet but knowing that Grey’s Anatomy creator Shonda Rhimes was an executive producer makes me confident that it’s worth the hype. Every time a romance novel is adapted into a television show or movie it’s a win for the genre, but for some reason the media refuses to give the romance genre credit where credit is due.

As with everything that reaches a fever pitch with the media these days, as soon as the media gets wind of something popular all of a sudden there is an endless assortment of content that breaks it down, offers speculation and builds hype. Unfortunately, the media is full of people quick to get a story out without doing the research needed to create a thoughtful article on the subject. 

A recent New York Times article about Bridgerton, titled “For Television and Romance Novels – Love at Last?”, features a thought-provoking dive into the lucrative world of the romance industry and how, despite cornering the market in publishing (both traditional and self-publishing), romance novels have yet to translate to television and theatrical success.

For all of the well-made points in the article, there is one glaring error: The article never once mentions Tosca Musk or Passionflix. 

How on earth can the contributions of Passionflix to the romance industry be overlooked?

Full disclosure for the sake of transparency, I’m a huge Passionflix fan. I’d go back in time and become a founding member if I could. I love their mission and what they’re doing to bring beloved romance novels to life in the most dedicated movies and series on a streaming platform made for fellow romance enthusiasts. 

In 2020, even with the pandemic shutting down Hollywood, Passionflix moved full steam ahead with four movie releases and 5 short films (called Quickies) that were filmed and released in a matter of months, and they also completed production on one feature film and two original series. They also optioned countless books to be featured in future projects. Musk and her team have revolutionized the industry, working directly with authors to develop scripts and create movies that connect with the readers that love the books they’re based on. They were not only able to release new content throughout the pandemic but they have been able to get back to work faster than most studios so that they can release new content in 2021. They never stop, and even with everything going on in the world they continue to deliver top-rate content that is true to the books upon which the content is based.

That, of course, is the reason that Sylvain Reynard opted to work with Passionflix despite numerous options available to bring The Gabriel Series to life. Instead of one movie per book, Musk knew the details had to be perfect to do justice for Reynard’s work, so the first book in the series, Gabriel’s Inferno, was crafted into three feature-length films. And that’s just the beginning, as work on sequels Gabriel’s Rapture and Gabriel’s Redemption continues. 

Passionflix is a Netflix for romance fans, just as AMC Networks’ Shudder appeals to horror fans. What’s more, though, is that Passionflix works closely with fans to take the pulse of the fandom to ensure that they’re doing right by fans (and authors) every step of the way. They are as inclusive as they come, ensuring that women are involved at every level behind the scenes. 

How, then, could there be nary a mention of Passionflix in the NYT article? 

It’s almost like the article’s author knew about Passionflix and opted to leave it out. Passionflix is at the forefront of the romance industry. It’s a glaring omission in yet another article that attempts to draw focus on romance in a positive light but ultimately disrespects the genre by the end of the article despite data that proves that the romance industry does, in fact, have a lot of power in the ratings. 

Take, for example, this passage from the article:

When romance novels are adapted, they typically arrive on less prestigious channels, like Hallmark, say, or as low-budget made-for-cable-or-network movies. The elevation of romance to platforms like Netflix, which has a burgeoning interest in romance series (“Sweet Magnolias” and “Virgin River”), or Starz, which airs “Outlander,” a time-jumping, country-hopping epic based on the book series by Diana Gabaldon, is rare.

We’ll ignore the problematic “less prestigious” descriptor because these movies wouldn’t be made if not for the large audience and the possibility for profit. Don’t believe me? Hallmark Channel devotes two solid months to Christmas romances on both of its networks (Hallmark Channel and Hallmark Movies & Mysteries) and guess what? Instead of rolling eyes they’re rolling in the proverbial dough as those Christmas movies were some of the highest rated programming available. According to Vulture:

A Timeless Christmas drew a same-day audience of 3.4 million viewers, making it the most-watched cable entertainment broadcast of the night and the entire week. In addition to outdrawing big cable guns such as 90 Day Fiance: The Other Way and Fear the Walking Dead, the film attracted more eyeballs than a number of major broadcast shows last week, including Superstore, Law & Order: SVU, Supermarket Sweep, and Dateline

Passionflix is producing content (albeit much spicier content, in many cases) that rivals and surpasses Hallmark Channel. They’re an entire streaming platform dedicated to the genre. It must also be noted that there needn’t be a comparison between the two because there is room for both. It’s their existence and their success that should be the focus here. 

Whether it was an intentional omission or a glaring oversight by the NYT doesn’t really matter because either way it’s part and parcel of the way the romance industry tends to be overlooked in general. 

Now that Netflix has a romance series that’s gaining attention, it means the show and the platform are getting coverage from big media outlets who want to cover every aspect of the story. However, it’s quite possible that Gabriel’s Inferno pulled the same numbers for Passionflix. The big difference is that you don’t have the same kind of media attention for Passionflix that you do for Netflix because Netflix is so much more mainstream.

I don’t know about you, but I know I’m tired of this whole conversation. Why must romance continually be pushed to the side? Why does almost every article about the genre fall short? Why isn’t the media giving any credit to Tosca Musk and the Passionflix team for their contribution to the romance genre?

The fight continues.

Gabriel's Inferno (Part I). Image courtesy Passionflix

Interview: Sylvain Reynard talks the Gabriel’s Inferno movie

I had the good fortune to chat with bestselling author Sylvain Reynard ahead of the highly anticipated release of Gabriel’s Inferno on Passionflix. As a longtime fan, dating back almost a decade, it has been a joy to see one of my favorite books come to life as a film. I was fortunate enough to watch a screener of the movie ahead of its release and it was nothing short of breathtaking. 

Reynard was gracious enough to chat with me for an article I was working on for FanSided Entertainment, but I thought that SR’s fans might enjoy reading the entire interview. 

(Sarabeth Pollock): I don’t think I should tell you how many times I’ve watched it, purely for research purposes, of course.

(Sylvain Reynard): I’m really glad to hear that.  I’ve seen it more than once too and each time I noticed something new – a detail, something from the set, etc. Passionflix did an incredible job bringing the pages of the story to life. Readers will love it.

I watched the movie about 3 hours before my call with the cast, so I had to process it quickly for the call (ironically, neither Melanie nor Giulio have seen it yet) so when I watched the second time I could really focus on the details.

Exactly. The way they set up Julia’s apartment, for example, and what they put on her bookshelves … the set decorators did a great job.

The second time I was able to actually pause, look at the book, and then resume. (And you need that with this movie because there is so much to see!)

One thing I wanted to mention is how well Melanie and Giulio bring the characters to life.

I was involved in the casting process and saw audition reels, etc. And I am so pleased with our choice of leads. Both of them do an incredible job inhabiting the roles. And again, they perfectly translate the characters from the book to the screen.

I don’t think their casting could have been more perfect. One thing that really came through in my call with Tosca, Melanie and Giulio was their deep appreciation for each other, too. They couldn’t stop praising each other, and I think that chemistry really translated on screen, too.

Yes, very much so. One of the things I mentioned to Tosca before we started casting was that the two leads have to be intelligent. They’re playing a professor and a graduate student and so that intelligence and passion for the subject matter of Dante studies has to come through. Also, particularly for Gabriel, he has to make the audience believe that he is completely devoted to Julia. The story is about longing as well as fulfillment and both Giulio and Melanie present that, not only with dialogue but with their facial expressions and body language.

The fact that these two actors are able to play the present-day versions of themselves as well as their younger counterparts really helps with that.

Absolutely. Melanie, for instance, can appear very young. I was struck by how she looked and moved differently in the orchard scene, versus the later scenes at the university.

She has the most soulful eyes, too.

She’s beautiful. She’s the perfect Julia. And as you saw in the film, she can be very fierce.

Her “mic drop” moment at the end will have your readers cheering, albeit wistfully.

I hope so … As readers know, my novels are all about redemption.

Absolutely. You know, when it comes to acting, Melanie and Giulio had a tall task in that your book is 500 pages (the script for part 1 was 200 pages). In a book, you are telling the story. Readers know what the characters are thinking, which is incredibly important for your story. In the movie, though, the characters must “show to tell”. Their actions must convey their thoughts. That they were able to do this speaks volumes.

Yes. This is a challenge in films. One of my favourite films is “Blade Runner,” but I prefer the Director’s Cut. The version that was released widely had a voice over that detracted from the story. But I think the Director was talked into including it so readers wouldn’t be confused. However, the voice over ruined it.  So in “Gabriel’s Inferno,” we didn’t include voice overs that one might derive from a narrator or internal monologue. We relied on the actors to show their thoughts and feelings rather than telling the audience what they were thinking. And it worked. It really worked.

There is that one line, though, that conveys Julia’s thoughts and I thought it was rather brilliant….

We agreed that line was funny and wanted to include it. Also the Professor’s favourite internal epithet for Paul was included … Mary, the screenwriter, had an challenging task adapting the novel to screen. But she did a fantastic job.

Yes! I mentioned to Tosca that I laughed in places I didn’t remember laughing in the book because it was so brilliant and unexpected. And I think those moments of levity are important because the first half of the book is much heavier than the second half.

Exactly.  I began writing the story back in the fall of 2009, and at the time, I recall wanting to inject some humour into the tale. In the novel, the snarky narrator pokes fun at the characters from time time.

The story is also about forgiveness – and that forgiveness goes both ways as Julia and Gabriel have to confront how they’ve treated one another in the past.  But it’s only through their forgiveness that the relationship begins to flourish.

It’s too bad SN isn’t able to get in the story, but perhaps there’s a Quickie in Snarky Narrator’s future…

The Snarky Narrator is always up for a quickie 😉

Get ready…because if you put that into the Universe you know your fans will wish it into existence…

(laughing)

You really see the concept of forgiveness play through as Gabriel comes to terms with how he treats Julia, which in the movie is a credit to Giulio being able to go from menacing to repentant. The scene where he picks her up in the rain is a striking example, as is when he’s standing in the kitchen telling Julia about Rachel’s engagement.

Yes. Giulio demonstrates quite a range as the Professor. We see him dealing with the aftermath of losing Grace. We see him angry, remorseful, etc.  Both Giulio and Melanie present the characters as layered and multi-dimensional, which is exactly what I wanted to see and what readers deserve.

The casting couldn’t be more perfect, that’s for sure. As for what readers deserve, since I was a fan long before I came into this role as an entertainment writer, I have to say I’ve never seen a movie so faithful to a book. Ever. And that’s saying something because these days there’s more than a discernible amount of toxicity in fandoms. In your case, though, every decision was embraced (and turned out to be perfect), the movie is utterly true to the story in every way and my goodness the level of detail is astonishing.

Thank you. That means a lot. You’ve put into words what I wanted for readers and what was important to me as the author. Over the years, I had more than one producer or company come to me interested in the film rights. But several of them hadn’t even read the books …

Going with Passionflix was a conscious decision to work with a team that valued the books and the readers. Tosca wanted to stay true to the books. She wanted to create an experience readers would love, and she wanted to incorporate the elements of Dante and Beatrice into the story. So this was a perfect match. And as you saw in the film, the set, the actors, and the costumes all reflected that vision. We wanted to translate the book to the screen as faithfully as possible so readers would have the ultimate film experience. And I’m happy to say that we have achieved our goal.

You told me before about how many details they seemed to pluck from your imagination, so I watched through that lens and it’s so true. Every detail is spot on. 

The opening credits, by the way. Tosca mentioned that this film had the biggest budget of all her films, and it really comes across as this massive cinematic experience from the start yet somehow manages to keep the focus on its dedication to the story and what fans want/deserve. That’s a tall order for any production, but having the flexibility that Passionflix offers allows for that.

Thank you. Tosca was incredibly focused on both the big picture and the details. Throughout production, I was included and invited to give feedback at all levels. And on some occasions, asked about specific things while they were shooting. Again, this is one of things that makes Passionflix so great to work with – they operate as a team and they invite both author and reader to participate. Several Founding Members even had the opportunity to visit the set and meet the cast.

I know the soundtrack will be made available. What did you think of the music in the movie? The music that played when Julia was running in the rain was perfect.

I thought it was really well done. For me, it was important that some of the key songs from the novel were used for the film. And I was really glad they were able to do that.

In my notes I scribbled that the movie feels like a whole new story even though it’s the same story. The food, the music, the clothes, the sets, the lines…but it feels so completely different.

There’s a line somewhere about old things becoming new … It’s about rediscovery, I think, and maybe also about spending time with old friends. Several readers have mentioned that they re-read the novels to cheer them up because it feels like spending time with old friends.

We’re living in really tough times right now. Many have lost friends and family to COVID. Many are feeling lonely and isolated because of social distancing.  Being part of a fan community can help us stay positive, interact with friends, and have something positive to celebrate and look forward to.

The movie really couldn’t arrive at a better time.

I feel that way, as well. Especially interacting with readers from around the world. It’s been a difficult few months and even though in some parts of the world things are opening up, we still face challenges. So for many of us, it’s important that we think positively, take time for beauty, and focus on things that makes us hopeful.

That’s the beauty of your community. You’ve created a sanctuary for people all over the world.

Thank you. I give all the credit to the readers. This particular fan community contains some of the kindest, best, most generous human beings on the planet. I’m just grateful I get to be a part of it.

It’s hard to believe that your community is going on a decade, and now the movie is going to take it into a whole new level, with more fans and new readers. I’ve seen so many people telling you that they’ve just discovered your books. It’s quite a sight to behold. (And it makes me even more sentimental) I told Melanie and Giulio that this is a big moment. A big one.

Thank you. I could never have predicted that the novel I began partially as an experiment to see if I could write would have ever turned into something like this. It’s all been surprising.

But I give credit to the readers, who made the books a success. And to the themes of the novels: love, sex, forgiveness, family, redemption. These are the subjects human beings care about and especially when we need a diversion or when we need hope, we turn to those subjects.Melanie and Giulio are destined for great things. They will have long and successful careers. They’re very talented and they’re very hard workers.

I love thinking about this journey you’ve been on, as someone on the outside looking in. It’s so inspiring. And as much as I’m a live in the moment kind of person, knowing that the movie is coming in less than 10 days, and knowing that work continues on the other films, I have to wonder what you’re thinking. There have been casual remarks about a Paul story. Do you have any thoughts about what you’d like to do next, even if it’s pie in the sky? (Pie is always good)

I’m excited for filming of “Gabriel’s Rapture” to resume, when it’s safe to do so. And also for the filming of “Gabriel’s Redemption.” I’d like to see my other novels adapted to screen. And yes, I’ve put together ideas for a novel about Paul. And one about Rachel and Aaron. But at the moment, I’m writing something else. Something new. It’s beginning stages at the moment and so I can’t say much, but as always, I write with readers in mind …

Ooh, that’s tantalizing.

I long to return to Italy, however. When it’s safe. When it’s appropriate. Florence is my favourite city and I miss it …

My endless gratitude goes out to Sylvain Reynard for taking the time to chat with me about the movie, and I can’t wait to see what the future holds for the Gabriel Series and the other stories in the Sylvain Reynard Universe.

To subscribe to Passionflix, visit their website. Sylvain Reynard’s website is a treasure trove of outtakes, blog posts and useful information for fans, and to purchase Reynard’s books you can click here.