gabriel series

Guest Post by Sylvain Reynard: Art, Faith, and Vincent van Gogh

I consider myself incredibly blessed that author Sylvain Reynard wrote this beautiful piece on faith and art for my blog.  Reynard is the bestselling author of the Gabriel’s Inferno Series and the Florentine Series.  The next installment of the Florentine Series, The Shadow, is due in February 2016.  

“Art, Faith, and Vincent van Gogh”

By Sylvain Reynard

In my novels, I explore the theme of redemption, along with the themes of faith, hope, and love. The characters themselves have varying beliefs, ranging from atheism to theism. I see each character as being on some sort of spiritual journey.

In what follows, I’d like to explore the connection between art and faith.

Indulge me for a moment and listen to the song “O Theo” by Matthew Perryman Jones:

Matthew Perryman Jones | O Theo

The song lyrics, (which you can read here http://www.songlyrics.com/matthew-perryman-jones/o-theo-lyrics/), are derived from letters written by Vincent van Gogh to his brother, Theo.

The song expresses Vincent’s experience as he struggled to be a preacher and then left that calling.  It also describes a romantic encounter and his longing for home. But there’s more to it.

Now consider this painting:

http://www.moma.org/collection/object.php?object_id=79802

“Starry Night” is a painting of a skyline. It’s about a view of the sky and the stars and the buildings and trees below.  But there’s more to it.

I’ve chosen these two artistic works to illustrate a couple of points.

1)   Good art elicits a feeling of awe and transcendence in its audience.

I use “art” here to include not only the visual arts, but also the performing arts.

The feeling of awe elicited by good art is similar to what the Romantic poets and thinkers identified as the Sublime.

2)   Good art points to a transcendent reality that includes truth, beauty, and goodness.

Not only does art elicit an experience of awe in the audience, but art also points to something beyond itself – something transcendent.

3)   In my view, the transcendent reality that is truth, beauty, and goodness, is the object of faith.

It’s part of the human condition to long for home, as expressed in Vincent’s words to his brother.  We all long to be accepted, to love and be loved, for forgiveness, grace, and peace. We long for the sublime, the transcendent, the beautiful, and the good, even when we get so confused about the truth of those things we go searching for them in self-destructive and harmful places.

But every question has an answer. Every desire has an object.  And the object of our longing for home is precisely the object of faith, in my view.

There’s something about art (and especially good art) that stirs these questions while also pointing to the answers.

I try to express some of these ideas through my attempt at art, which is writing novels. But I tend to see it most clearly in the creative efforts of others, particularly in paintings and in music. I see it in van Gogh, whose work I admire very much.

What’s the piece of art or artistic expression that invokes feelings of the transcendent or the sublime in you?

-SR

https://www.youtube.com/watch?v=71mExEKHmPU

You can purchase Sylvain Reynard’s books here

Interview with Sylvain Reynard, Author of The Raven, Part 2

Interview with Sylvain Reynard, Part 2….

I decided to publish this last segment of my interview with Sylvain Reynard after The Raven’s release.  I’m not a fan of spoilers, and while I don’t think there are spoilers in this interview, I wanted fans to have a chance to meet Raven and the Prince before reading this. So read on for more juicy tidbits from Sylvain Reynard….

(If you haven’t read Part 1 you can find it here)

 

The novella The Prince is followed by the full-length novel The Raven, in which we meet a young woman who finds herself thrust into the Prince’s world.  Raven is a very different character from Julia.  Both represent the epitome of goodness, but Raven finds herself with a man who (by all admissions and appearances) embodies darkness and, perhaps, evil.  How were you inspired to create her character?

When I began writing The Gabriel Series, there were two scenes that dropped into my head. First, the conflict in the classroom that opens “Gabriel’s Inferno,” and the scene in the orchard, which occurs a few chapters later.

 When I began writing “The Raven,” the scene that entered my mind fully formed was the scene in which Raven walks home after a party. I saw what she looked like, how she walked, and her entire history. I knew she was an artist and an art restorer, and that she was extremely intelligent, compassionate, and very creative.

Raven is a very intriguing character.  She’s brilliant but her confidence takes a hit from the frustration she feels with her self-image and her physical limitations. The Prince can’t understand why she feels the way she does about herself or her appearance, reflecting an interesting perspective on the changing perception of beauty over the centuries.  I’m sure that many readers will relate to her body image issues and appreciate that she’s not perfect.   What led to that particular aspect of Raven’s character?

As I mentioned, I saw her in my imagination fully formed, but I also intended her to be an atypical female lead. She doesn’t possess extraordinary physical beauty or bodily perfection and she isn’t thin.  She’s an attractive woman but much of her beauty comes from her character and her actions.

What’s next for the Prince and Raven?  

Thank you for asking. Readers will have a taste of the sequel to “The Raven” at the end of the book, because I’ve included a teaser.

 At the moment, I’m continuing to write the sequel and I can tell you that a lot of danger and adventure are coming their way. Please stay tuned …

To purchase The Prince, click here.

To purchase The Raven, click here.

Many thanks again to Sylvain Reynard for taking the time to do this interview!

Book Review: The Prince, by Sylvain Reynard

The Prince

By Sylvain Reynard

Publication Date: January 20, 2015

Review by Sarabeth Pollock

 

There is a whole other world that comes to life in Florence as soon as the sun goes down.  With The Prince, New York Times Bestselling author Sylvain Reynard launches the brand new Florentine Series in which we meet the eponymous Prince of Florence.  The Prince is furious because one Professor Gabriel O. Emerson has arrived at the Uffizi with his young wife, Julianne, to celebrate the opening of the gallery’s newest exhibit: One hundred illustrations of Dante’s Divine Comedy, created by the Renaissance master Botticelli himself.  Emerson’s collection is the most comprehensive set of copies in existence…only the Prince knows better.  Not only are they not copies—they’re originals—they were stolen from him over a century prior.

Yes, you’ve guessed it: The Prince isn’t an ordinary man.  He is a vampyre.

The Prince is a novella that introduces readers to the darker side of Florence ahead of the release of the first full novel in the series, The Raven, due out on February 3rd.  It truly is an amuse bouche of a story, designed to draw readers in and captivate them with the mysterious figure known only (at this point) as the Prince.  Fans of Reynard’s Gabriel Series will delight in seeing The Professor and Julianne once again in The Prince; the novella is set during the gallery opening at the Uffizi in Gabriel’s Redemption.  Gabriel and Julia meet the mysterious Englishman in a chance encounter, and Gabriel is immediately suspicious of the strange man.  Little does the couple know, however, that they have been under his surveillance and he’s hell-bent on recovering his prized collection, at any cost.

The Prince of Florence is powerful, fierce, respected, alluring, and deadly.  Despite his power and his devastatingly good looks, there is an underlying melancholy in his demeanor that he must keep hidden from his council and the other vampyres around him.

As with all of Sylvain Reynard’s books, The Prince has been meticulously researched so that the setting is just as much a character as the Prince and the rest of his preternatural companions.  The city of Florence shines in the golden light of Reynard’s prose.  Reading Reynard’s books is like taking a survey course on the history of Florence and its art and architecture.

The Prince is a wonderful introduction to the Florentine Series.   Fortunately for readers, the next book arrives in a few short weeks, providing just enough of a taste to whet their appetites.

 

Click here to read my interview with Sylvain Reynard.

Click here to buy a copy of The Prince